Paul Mpagi Sepuya reflects on his cerebral yet erotic photography

Paul Mpagi Sepuya’s camera is pointed at you. For two decades, the California-based artist has been toying with the conventions of portraiture. He uses mirrors and illusion to centre the camera in his photos, which commonly feature himself, his friends, his lovers, his peers; often nude, often intimate. Through Sepuya’s lens, the link between the camera, the subject and viewer becomes uroboric, as he revels in exposing thehellip;

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Patrick Sproull, Khareem Sudlow