Iris Van Herpen on raging for and against the machine
“You see?” Iris Van Herpen is peering out from behind a ghostly fish skeleton, which she has been dangling in front of her iMac. “It’s what we call a liquid fabric. It’s very refined, slightly translucent, and it’s as soft as silk,” she says, fanning its phosphorescent scales with her thumb so that they pucker and domino into neat little rows. Hand-stitched from thousands of miniature petals, it took the best part of six months to develop the sample, whichhellip;
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Daniel Rodgers, Khareem Sudlow
