Namsa Leuba’s kaleidoscopic photographs explore the politics of the gaze
In 2011, Namsa Leuba traveled to Guinea Conkary, her mother’s ancestral hometown, to embark upon Ya Kala Ben (Guinean for “Crossed Looks”), her first long-term photography project that explored “the representation of Africa identity in the Western imagination”. As a Guinean-Swiss woman born and raised in the West, Leuba was neither “either/or” but both at the same time. Standing on the outside, rather than in the center of her respectivehellip;
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Miss Rosen, Khareem Sudlow
