This immersive exhibition traces the legacy of Black British creativity
“I like to see my curatorial practice as a visual disruption; a trojan horse,” explains visionary independent curator and art historian, Aindrea Emelife. “I want people to go into exhibitions with one idea and have other ideas leap out at you, challenging and moving you at unexpected turns; asking you to look again at the history you thought you knew, or look closer, in this case, at a history that has been seldom looked at athellip;
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Emily Dinsdale, Khareem Sudlow
