Gerard Kelly use pole dancing to architect a new vision of America

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Three men stand on a platform in the middle of a makeshift stage at The Geffen Contemporary at MOCA’s satellite space WAREHOUSE in Los Angeles, one more elevated than the next. At the bottom, a white man holds his hands closed into fists and flanked at his sides. Slightly above him are two black men, their heads bowed, their fists also closed and each holds one arm stretched upwards. It’s a callback to the now-famous 1968 Olympic Black Power Salute, and this is how <ahellip;

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Ashleigh Kane, Khareem Sudlow